Thursday | 07.05.20  
Past Show
Show Time
21:00   (Door 19:00)
8MM Bar | Schönhauser Allee 177b, 10119 Berlin, Germany

The David Watts Foundation presents:

SHERPA THE TIGER (Fuzz Club Records, Ukraine)
07.05.2020 – 7PM

FFO: Camera, Neu!, CAN, Kluster, Harmonia

B.O. 6 – 8 € (your choice)

+ After Show Party
(School’s out next day!)

Sherpa The Tiger is a brand-new band hailing from Lviv, Ukraine. Equipped with decrepit Soviet synthesisers, the four-piece combine a love of minimalist ambient music and the kosmische grooves that came pumping out of Eastern Europe in the 60s/70s. There are two sides to Sherpa The Tiger; there’s the danceable groove-ridden cuts that channel the funkier repetitions of CAN’s Future Days LP, held together and propelled by a jagged drumbeat that Jaki Liebezeit would surely be proud of. And then there’s the more stripped-back moments, which see cosmic, ambient deconstructions that could easily have found themselves on the score of some kind of 80s crime-thriller set against the neon-lit backdrop of Miami.
Sherpa The Tiger was originally conceived by long-time friends Artem Bemba (bass/guitar/keys) and Andrii Davydenko (keys/programming). The pair lived together in an apartment in Lviv before deciding to start making music to give themselves something to do when stuck inside. Andrii explains: “The band was started as a home-studio project between me and Artem. After the actual songwriting and pre-production, we invited our friends from university Yurii Khomik [drums] and Mykhailo Kanafotskyi [guitar] to come and help us recreate the songs in the studio and play all the stuff live.”
On ‘Great Vowel Shift’, Sherpa The Tiger’s synth-driven soundscapes are a thing of wonder, the band credit this to just two pieces of hardware which in total cost no more than $120: “The backbone of this album’s sound, in addition to the ordinary live drums, bass and guitars is this vintage Soviet synthesizer called an ‘Elektronika EM-25’ from the 1980s and an electric organ ‘Vermona Formation 2’, which was made in the late 1970s/early 1980s in GDR, East Germany. The sounds of these two instruments you can hear in every track of the album except ‘Golden Ratio’.”
Talking about their influences, Andrii explains: “The whole project was inspired mostly by the Eastern European Krautrock stage of the late 1960s and 1970s but we also tried to refresh those old-school ideas with a more modern electronic/ambient approach – with a bit of a psychedelic pop vibe too.”
When asked about their creative approach, the band reveal that all the songs began as improvisations using lots of live samples before being deconstructed and put back together again: “Mostly all the main themes and instrumental passages were recorded on the fly during jams and then we’d listen back and restructure it once we really knew where we wanted to go with the composition.” Andrii tells us that once they’d built the basic song structures they’d design the music using an approach inspired by cinematography: “The music designing process is definitely based on cinematography. We see the songs as ‘stories’, or screenplays in the audio universe. We start by imagining certain visual images and then each of us tries to translate that into sounds. The main idea was to create something that can be hypnotic, endless and danceable all at the same time.”

7PM doors open
8:30PM stage time
10PM after show party